
This is why we as non�poets can understand the language of poetry.Ģ. Well as comprehension of the conceptual metaphors. No fundamental difference between poets and non-poets in terms of the use as Metaphors are all based on ordinary conceptual metaphors. Poets, like non-poets, make use of the conceptual metaphors, and the poetic Chapter Seven is a practical chapter that applies Langacker’s construal operations theory to three metaphysical poems.Ĭhapter Eight embraces the conclusions that the study has arrived at. In Chapter Six, the Conceptual Metaphor Theory insights are applied to theĪnalysis of the meaning creation and perception of six metaphysical poems. In this same chapter, a brief introduction is providedįor metaphysical poetry and its major characteristics as well as its main poets. The light of which the selected metaphysical poems are analyzed.Ĭhapter Five attempts to trace, review, and evaluate the cognitive linguistics or

The theories, discussed in this and the previous chapters, are the models in Into their various classes according to different criteria.Ĭhapter Four is devoted to the elaboration of Langacker’s construal operations This chapter also tacklesthe Conceptual Metaphor Theory in detail. Schools of linguistics and the cognitive semantic approach. At the end ofĬhapter Two, a brief account is provided for the well-known models that constituteĬhapter Three introduces the notion of metaphor in the light of the traditional

In general, this chapterĭeals with the relationship among language, meaning, and cognition. Linguistics and cognition into common ground are expatiated. In doing so, the major concepts and areas that bring Procedure adopted in conducting the analysis, and the value of the study.Ĭhapter Two represents a detailed theoretical account of the rise, development,Īssumptions of cognitive linguistics, and the place of cognitive semantics within this The problems, aims, hypotheses, scope of the study as well as the data collected, the Metaphysical poems that are reflective of the most outstanding trends of the era.

Metaphor Theory and Construal Operations Model, have been applied to nine Two of the prominent theories of cognitive semantics, namely Conceptual

Literary, specifically poetic, creativity within a cognitive semantic framework. The work tries to unfold the meaning construction and meaning conceptionĪspects involved in metaphysical poetry, which could, at least partially, account for The so-called figures of speech are but part of the general mental abilities of humanīeings, something which runs counter to Chomsky’s faculty of language. Respect to meaning construction and meaning conception. This study is indicative of many mental abilities unique to the human mind with It is hypothesized here that poetic language represented by the data collected in Poetic language is artistic proper, and that it is by no means open to analysis in terms For long philosophers, literati, and linguists have held the view that Linguistic as well as a psychological or cognitive analysis of selected poems of this This work is a cognitive semantic study of metaphysical poetry, which entails a
